Blue Man Group (Blue Man, BMG) is a creative organization founded by Phil Stanton, Chris Wink, and Matt Goldman; it is centered on a trio of mute performers, called Blue Men, who present themselves in blue grease paint over latex bald caps and black clothing while playing a mixture of idiosyncratic instruments. Blue Man Group's theatrical acts incorporate rock music (with an emphasis on percussion), performance art, odd props, audience participation, sophisticated lighting, and large amounts of paper. It is also noted for having a "poncho section" of the audience; in the front rows, audience members are provided with plastic ponchos in order to protect them from various food, substances, paints, and so on, which are thrown, ejected, or sprayed from the stage. The shows are family-oriented, humorous, energetic and often employ thought-provoking satire on modern life. Some of the humor breaks the fourth wall; for example, interrupting the show to ridicule latecomers in the audience. Meryl Vladimer, the Artistic Director of The CLUB, saw their work and commissioned Blue Man Group to create a full-length show. The resulting piece, Tubes, took off after Vladimer persuaded Holden to review it. Blue Man Group's popularity continued to snowball, eventually winning CMP an Obie Award and a Lucille Lortel Award, which led producers to take the show to Broadway. Tubes opened in 1991 at the Astor Place Theater.[1][2]